Download PDF The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film, by W. K. Stratton
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The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film, by W. K. Stratton
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Review
"In his detailed and passionately argued history of The Wild Bunch, writer W.K. Stratton takes the debate to a higher level and convincingly positions the film as the best Western ever made―and among the greatest of movies. Stratton collects the kinds of elements required for a lively movie backstory: a talented if irascible director, quirky cast and crew members, a difficult location shoot and a controversial reception by moviegoers and critics. Best of all, he recounts how an idea becomes a film and the creative, economic and fate-driven roadblocks it faces." - Associated Press"Reading W.K. Stratton’s fine book after watching The Wild Bunch can make for a rich aesthetic feast." - The Washington Post"Definitive . . . Stratton’s book is part making-of chronicle, part appreciation, part personal reminiscence. . . . He’s not a film critic, but a passionate and knowledgeable generalist who knows how to drill deep." - Vulture"Sam Peckinpah’s classic western is lovingly picked over in this obsessive treatment of its making and reception." - New York Times Book Review, in New & Noteworthy"Insightful and engaging, Stratton’s book will hold the attention of even those who despise the movie." - Roundup Magazine"No person of sensibility who has seen The Wild Bunch has not felt the extraordinary richness of lived experience that courses throughout the film. This is one of many things that lifts it far above the action genre and the Western to the epic. It is a singular achievement of W. K. Stratton’s book on its making that he shows this was not adventitious . . . Stratton documents how Peckinpah’s masterpiece became not only a great film but one of the enduringly great artworks of the past century." - Paul Seydor, author of THE AUTHENTIC DEATH AND CONTENTIOUS AFTERLIFE OF PAT GARRETT AND BILLY THE KID: The Untold Story of Peckinpah’s Last Western Film"Stratton’s book examines the history of the Western and details the ambition and, at times, lunacy of making what has become an American classic." - Newsweek"Muscular study . . . Stratton pulls together big strands of story: the history of the Mexican revolutionary period, Peckinpah's own fascination with Mexico, the history of U.S.-Mexico relations, the history of moviemaking itself. . . Essential reading for fans of the epochal (and reportedly soon to be remade) movie as well as movie-history and Western buffs generally." - starred review, 11 Early 2019 Books We Love, Kirkus Reviews"Stratton paints a wonderfully full portrait of director Sam Peckinpah and his quest for a more realistic depiction of violence at a time when the brutality of the Vietnam War was increasingly penetrating American living rooms. . . . What’s most striking here is the depth of Stratton’s research, with attention given to every aspect of, and player in, the film. This engaging, well-researched book belongs in every library and in the hands of every student of cinema." - starred review, Library Journal"Stratton does a fine job of putting the film in its historical context . . . THE WILD BUNCH is a valuable addition to the literature of American film history and will be greeted by Wild Bunch devotees with adoration." - starred review, Booklist"Stratton’s thorough research yields a fascinating perspective on how Peckinpah created a western of unparalleled realism and intensity." - Publishers Weekly"My favorite kind of film books tend to be those that go behind the scenes, that provide inside looks at how celebrated films were put together, [THE WILD BUNCH] falls squarely in that category." - Critic's Choice, Kenneth Turan, Los Angeles Times"Stratton loves “The Wild Bunch†(he succinctly writes, ‘I've never seen a better movie’), but this is not a gushing fan letter. Stratton's meticulous research, exhaustive interviews and scholarship all combine to create a fascinating portrait of a maverick filmmaker working at the top of his game and pushing the boundaries of moviemaking." - Shelf Awareness"Stratton's anecdote-packed book explores when, why and how The Wild Bunch was made." - Dallas Morning News"Stratton has written an ambitious and lively history . . . At the heart of [THE WILD BUNCH] are dozens of informative and colorful interviews, conducted with everyone from screenwriters and stuntmen to Hollywood producers and Mexican film stars." - San Diego Union Tribune
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About the Author
W.K. Stratton is the author of five books of nonfiction and three of poetry. He has written for Sports Illustrated, Outside, GQ, and Texas Monthly, and was named a fellow of the Texas Institute of Letters in 2017. He is a longtime resident of Austin, Texas.
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Product details
Hardcover: 352 pages
Publisher: Bloomsbury Publishing (February 12, 2019)
Language: English
ISBN-10: 1632862123
ISBN-13: 978-1632862129
Product Dimensions:
6.4 x 1.2 x 9.6 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
21 customer reviews
Amazon Best Sellers Rank:
#3,806 in Books (See Top 100 in Books)
The book is padded with biographical CHAPTERS on multiple cast members -- material that has been already been covered in other books, often at greater length & depth. One hopes (in fact, demands) that when the topic is something that has received a lot of attention in a lot of books, that the new entry brings a fresh mind to the table with, at minimum, a new spin. Alas, not here. The above-referenced padding is a dead giveaway that this author has NOTHING new to say. In fact, he has nothing to to say. And, he does it poorly to boot. He thinks Dutch betrayed Angel. Anyone knows that the mother of the girl he killed ratted him out to Mapache. Dutch merely had to go along with it, having been been put on the spot. this is hardly the same as "betraying" Angel. (However, no doubt that some bookhouse lawyer will enthusiastically split hairs like any dumb damn fan boy.) On page 126 there is an indisputable factual error. The author says that Holden and Hepburn fell in love making SABRINA when both were already married. SABRINA was filmed in 1953. She married M. Ferrer in September 1954, just as the film was released. When I read that, I wanted to throw the book in the trash. I still might.
I had great hopes for this book, but it covers no new territory or has anything really insightful to say about Peckinpah'smasterwork. Really it is just a fan boy's love letter to the film. The author often knocks other films to enhance The Wild Bunch's reputation, which is unnecessary and often questionable. The author goes out of his way to dismiss the Western scores of Elmer Bernstein, especially for The Magnificent Seven but Jerry Fielding's excellent score for The Wild Bunch often uses the same orchestral tropes Bernstein does, and is in no way innovative or unusual.I was also troubled by his reference to Eli Wallach as a "Jew." Which I guess he means Wallach should not play a Mexicanlike his role in Leone's The Good, The Bad And The Ugly. I love The Wild Bunch and it is ill served by this stupid fawningbook.
This is a well written and thoroughly researched book. It goes far beyond merely analyzing the film The Wild Bunch and the career of its director, Sam Peckinpah. It also offers a partial biography of Peckinpah, biographical sketches of several of the other key people involved in the making of the movie, chunks of history about Hollywood and western films, contextual historical information about U.S.-Mexico border relations that influenced the plot of the film, etc. Reading the book is an educational experience. The only qualifier I will put on this positive review is that some might find the book too exhaustive. You have to care an awful lot about The Wild Bunch, Peckinpah, and the film industry from the era, to want to take in all of this information. The content could have been cut by a third or more, and the reader would still have come away with a deeper understanding of the topics mentioned in the subtitle. So it's just a matter of how much information you'd want from a book like this. But in any case, it's written very well and is highly informative.
I've loved The Wild Bunch since it first knocked my socks off on opening day in 1969, and I lost count of how many times since. If I find it on cable, I watch it. And it works every time, just like the first time.This book is totally worthy of this movie. What a helluva story!
A wonderful history of the making of a classic film and time. Any fan of western or of movies in general will enjoy it. Also a very informative telling of revolutionary Times in Mexico
There are films that make history and gain undying reputations simply through a trick of timing: "The Jazz Singer", for instance, is not only unwatchable today, it virtually was in it's heyday (and, it was NOT-of course- the first "talkie"), but it's place is secure.Conversely there are those films that bring nothing new to the form but just do the old stuff so much better. There isn't a single thing in the "Godfather" films that weren't in place in "Little Caesar" or "Scarface (the Muni version) or "Public Enemy". But Coppola does them better, smoother, and with better actingThere are VERY few films that can lay claim to both being unique/influential AND one of the best of their genre. In crime films there's "Touch of Evil"; In westerns... hell, in drama as a whole, there's "The Wild Bunch"There have been any number of books, articles, panel discussions, about this masterpiece, but it was in desperate need of someone who combined the talents and know-how of a Westerner, film-buff/historian, and (and this is the kicker) poet to bring it all togetherW.K.Stratton is that author, and this is the DEFINITIVE book on the "Bunch" in all its aspects
This will not disappoint. Stratton misses nothing. If you don't read this one, you're just egg sucking southern trash, just like some animal, just another two bit redneck peckerwood.
A little slow going but very interesting.
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